Proview Electronics has filed a lawsuit against Apple in California over the alleged infringement of its iPad trademark, bringing the bitter dispute that has been raging in China to US soil.The struggling technology company filed a lawsuit on 17 February at the Santa Clara Superior Court, according to Alice Wang, a spokesperson for Proview.Proview failed to secure a sales ban of Apples iPad tablets in Shanghai earlier this week, but it is not giving Apple time to breathe a sigh of relief. By going after Apples home market, where an injunction could prove disastrous, it might be hoping that the company will buckle and strike a deal to put an end to the legal tangle.Proview registered the iPad name in 2000, ten years before Apple launched its popular device. However, Apple claims that a Proview subsidiary sold it the rights in 2009 for £35,000, a rather measly sum of money given the success of the iPad.Proview once dominated the monitor market when display panels used cathode-ray tubes. Failure to quickly adapt to the LCD market has caused the company to virtually collapse, landing it with excessive debt and forcing the Hong Kong Stock Exchange to delist its shares. It therefore desperately needs additional funding and Apple has plenty to offer.Source: Associated Press
vendredi 27 septembre 2013
mardi 24 septembre 2013
recently i was fortunate enough to be introduced to jeremiah maddock through the good peeps over at paper monster. jeremiah's work is so delicately intricate and amazing. i was blown away by the labyrinthine tiny lines that make up his pieces. his paintings are repetitive beauties.
sadly he doesn't have a website, nor does it sound like he is eager to make one. but he sent me soooo many images, i feel like i have my own private website of his work on my desktop, i'm so excited. i've included a bunch of them here w/ questions jeremiah so enthusiasticly answered for me.
what medium do you like to work in, are you experimenting? what's your fav and why?
mediums are usually whatever i can get my hands on: pens, pencils, markers, water colors, acrylic/ oil paints, wood stains, rust. i make a lot of my own inks from dead pens and markers, either xylene based or rubbing alcohol based. my favorite medium over the last year has been inks and water colors on paper. i like the instant gratification i get from these. they allow me to keep up with myself to the point of acting more as a channel. i also just enjoy watching things seep into paper, some drawings look better on the backside as they bleed through.
what is in the future for you? shows? prints? collabs? why don't you have a website? is there one in the future?
i have a few upcoming shows...next month in milan at a place called the flat, michael bevilacqua and massimo carasi are the curators for this. i'm not sure who all is in the show, aside from a few...dan trocchio, michael bevilacqua, scott campbell, bruce richards, and wendell gladstone. this will take place jan. 15.
in may i go to denver for a solo show hosted by andenken gallery who found me through paper monster and faile.
ummm, i have a show in mexico city and right here in bushwick, ny., this spring but am unsure of the dates and the names of the venues
basically, i show where ever i'm invited to unless i dont like the peoples who are asking. i have been making pictures for about 17 years but i have never sought out art shows. that's why i have no website, portfolio, etc. the natural flow of things have been pulling me in desirable directions and i don't want to tamper too much w/ that. maybe i would make a website if i knew how, but i'm not sure.
what did you do for faile? i love those guys. how was it working for/with them? how did it happen?
they went to my show at saved tattoo (scott campbell). i spent three months at saved before it opened painting the pillars inside. pat mcneal liked the way they were done and commissioned me to paint a big wood box for his new son, denim. they were great to work for, they made me keys to there studio and never complained that each night i was there i would drink their whole case of tiger beer. after awhile i think they started filling it back up just for me. they are also great supporters of many upcoming artists.
i should also mention that scott campbell is solely responsible for pulling me out of the woods of whidbey island and putting me in new york to show my pictures, he is the reason anyone out here in new york has ever heard of me. and now faile as well. i also want to mention sfelectricworks.com, these are extraordinary peoples who first started showing my work back in 99.
what artists are you watching right now?
dave schubert (photographer/fine printer/ ), dan trocchio (painter/poet/genius), marty anderson(drawer/ exceptional music of OKAY, poet), wes lang (sick drawings), scott campbell (extraordinary in many respects a walking piece of art), chris johansen( painter who is free), and the butter lady of s.f. ( roams around withlipstick on her cheeks and butter in her hair, amazing self portraitsand rantings on index cards).
can you tell me a little bit about how you sell your work...i hear you set up a suitcase, is this true?
no i don't set up a suitcase, for a 6 month run my wife and son went on tour in her band sleeping people. with no responsibility and very little money i decided to see how long i could go on house sitting gigs and couch surfing. so i carried my studio on my back. day time i would draw in the hall of this cafe, and at night i had bars i liked because the bartenders would trade me drinks for napkins and or place mats. there were a of couple restaurants that would trade my bill for a place mat. i had never been in public making my pictures before and loved meeting interesting and very kind peoples. i had never been very social up until that point. anyhow the suitcase...people started wanting to know what was inside and i would show them, sometimes i would sell stuff in a restaurant or bar to a stranger, believe it or not at a fair price as well. when i was doing a commission for faile, i went out to smoke a cigarette and had left my backpack open...when i came back inside all of my drawings were up on a table and people asked to purchase a few. ...and later asked for more.
now i have a home, i still have a backpack full of drawings but the suitcase now is seldom necessary.
jeremiah also has a show next week inwilliamsburg that is being held in a vacant apartment for 4 days only,titled "we are friends." opening reception is saturday jan 5th,6 - 11 pm at 119 north 7th street. williamsburg, ny 11211. there is alarge group of very talented peeps in the show, and def worth checkingout.
also, you can purchase original work of jeremiah's through paper monster. a few pieces have sold, but there are still amazing pieces left. put that xmas money to good use! or if you're really lucky...you'll meet him in a cafe or a bar one of these days.
vendredi 30 août 2013
Just for fun I made a little growth chart for us (but you’ll need to click on it if you actually want to see it!)
It’s crazy to see how much he’s really grown. He still just seems like my little baby…
vendredi 23 août 2013
will bryant rules. let's just get that out in the open. but too late! it's already out in the open, because anyone who knows will's stuff, knows this to be true. his work is vibrant, bright and full of life. a florescent, magnificent wonder-ocity. (new word, pls give credit whenyou wiki that. k. thanks.) the boy is a walking burst of typography,design and color. his hand lettering is awesome. his hand drawn t-shirts are like nothing else. here are just some of the spots you can get will's stuff:needles & pens, rare device, good records, w00t and his etsy store. if his visual work isn't enough for you, and you need more as you do in these days and times, check out his music: the hooded deer.
mercredi 21 août 2013
i'm really excited about daniel szymanowski's work. his broad range of paintings and illustrations have a wide depth with a beautifully soft palette. what initially drew me to daniel's work is his line work, color choices and symmetry that whisper a south asian influence. i really dug the subtley to his paintings. i'm also smugly delighted about daniel because he lives and works in boston. yay! please take a look at daniel's website...i honestly gleaned probably like eleven images to post, but then realized that not only is that way too much it's slightly insane. but hell, i get happy sometimes about art i love. so here is an edited version of what i took from daniel's website.
mardi 20 août 2013
To be honest, I cannot wrap my head around what it would take to make a sculpture. Not only are there two dimensional issues to address, artists must also then grapple with gravity and the tricky disconnect between the materials used and the larger representation in space. An artist who is way too successful at meeting these challenges is my buddy Ryan Crowley. His sculptures are like pop culture regurgitations. Cartoon clichés, corny logos, and American food products are processed into perverse ideological hybrids. I like Ryan’s work because it’s like encountering an inside joke you didn’t realize you were part of. They’re nostalgic, critical, and a bit loony all at once.
Ryan’s in the process of cooking up a website, but he can be reached at firstname.lastname@example.org. His sculpture, Boot, can also be found in the Tower Lobby at Massachusetts College of Art and Design. Check it out!